Donna Monologue Analysis

Thursday, December 9, 2021 11:32:16 AM

Donna Monologue Analysis

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Categories : Intrapersonal communication Human communication. Was considered for the role of Breathless Mahoney in Dick Tracy In was selected as one of the most beautiful women in the world 2 in april by 'readers' of French magazine LUI monthly telematic poll. Born on exactly the same date as comic legend Sam Kinison. I work in a strange business, and trust is a word that's not even in the vocabulary. I think any girl who comes to Hollywood with sex symbol or bombshell hanging over her has a rough road.

I feel there are two people inside me - me and my intuition. If I go against her, she'll screw me every time, and if I follow her, we get along quite nicely. My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go "God! Movie stars! I walk out there just fascinated and I always want to stay like that. I'm just a little kid going to these movies and I don't ever want to change. We fall naked to the ground and, as the horse wanders off along the water's edge, we make passionate love in the moonlight. It always leaves me hot and bothered. I just love the man. You have to think it's as good as what's coming later. I don't really live in a time zone.

I don't abide by the rules here on earth. All of us are male and female. Take me--I'm strong; I'm weak; I'm everything. It's intriguing to see a man who has chosen not to pick up on all the stereotypical male traits, who keeps only the most powerful ones, and leaves a lot of the stuff that society lays on you at home. I love a man who knows his femininity. I love a man who can cry. I love a man who's not afraid to delve into the female psyche and become a part of it. Have tea with the girls, emotionally. I love people who aren't afraid of what other people are gonna say about them. You know, it's all society's rules, man.

You gotta drop 'em and not be afraid to be yourself. Some days, I dress very, very masculine--wear men's clothes. Other days, I dress up in high heels and garter belts and miniskirts. It all depends on what I feel like! A lot of people didn't particularly care for the male character in that film because of the way he treated my character. But the interesting thing was that their relationship was all about the abandonment of all preset rules on earth. It was all about living on the edge, to the fullest. On every level, but especially emotionally.

How far down could you go, how seedy could it get, how hard could you hit bottom. You can't play with people's feelings too much. That's the thing that amazes me about jumpin' around. Because it's dangerous after a while. Emotionally dangerous. For yourself, but also, what about the others? A lot of people don't want to put up with being just one of a crowd. And you don't know, in this day and age, how they'll react once they find out--there's some scary things happenin' out there. A lot of women are intrigued by a man who doesn't do the normal things a man would do.

It makes them think from different parts of their body. Sexually, emotionally, they just go someplace else. Physically, I was always so uninhibited. As a gymnast and diver, I was confident about my body. Just let me keep my mouth shut. I had a lot of problems and I never opened my mouth. People thought I was bitchy or stuck-up. But really I was petrified. Believe me, I'm no Mother Teresa. I've done a lot of wild ass things in my life. It's just that I can be wild without drugs or alcohol. And so can anybody. I did what I wanted to do emotionally. I built myself up and tore myself down so many times that I was electrically disturbed after it was over; marbles were rolling off the table. I really want what I want. And - you know - I'm getting what I want!

It's that simple. I didn't want people to come up to me and sock me in the face. I didn't want my ass kissed. I didn't want any reaction. I just wanted to get it off my chest. In Hollywood some people are notorious for being notorious. I equate several people in this industry with serial killers. Most serial killers were abandoned at a very young age. And they had to survive.

I see them as little things grappling after foodstuffs in garbage cans. Not like the homeless exactly, but. There's so much said about people and so much of it is bullshit. Sometimes there will be a writer who has written something so outrageous that I want to hire him for my production company, because his imagination has to be dealt with. The truth about beauty is if you always have it, you always know it.

I know people are attracted to me. It's just there. But, Jesus, if you are going to take the package, take the whole package. When I see need, I understand it. Whether it's emotional or physical or mental need, we all need. Not that we necessarily have to stand for being needy. There are a lot of women who just love to have sex, period, and don't want a commitment. But then one day, a lot of 'em find themselves bored with that. You know, I love to go to clubs; I love to dance. I'm crazy, out of my mind. But I don't jump from one person to another. For my own peace of mind, I don't like to sleep around. I've never been interested in that. I really love to be with who I'm with. I mean, I just love it beyond.

When I came to L. I want to try it all. And you know what? I tried cocaine, and I found that it made people sleep during the day. Every time I took it, I said, 'This is a joke. I hated that it made me so physically worn-out. I was probably the worst model that ever lived. I made a lot of money though, mostly for magazines and commercials. Put it all in my pocketbook. I didn't even have a bank account. He said, "You're walking around with a check with your name on the back of it, endorsed? Thank God for people like that! I love men. And I love sex. It's very important to me--the romance part and everything else. You can have wild and nasty, wonderful, crazy sex, and you can be romantic too, all in one. You can have the whole package, man. You have have anything you want!

My parents thought I was crazy. But I never was a rebel, I just did things my own way. I've just always believed you can get anything you want in this life, anything you want. Don't tell me it cannot be done. There's no such word as impossibility. So they thought, on that note, I'm a crazy woman, crazy little girl, crazy. Because people are so socially structured to follow a pattern. I ran the gamut of emotions you could ever possibly do as an actress. It was like an exorcism for me.

It was crossing the river, as I always say. You can choose to stay on this side and you go up to the river's edge and then you come back and you can get all this work along the edge doing your same little emotional tricks and you can be a star. But if you really want to become an actress, you've got to cross that river, and I think that was my crossing of my emotional river, knowing that I could do anything. It was the biggest high of my life the day I finished that film. If you're gonna depend on medicine, they're comin' up with things that are gonna help women feel more secure on the outside.

But no medicine you're gonna put on externally is gonna help you until your inside starts believing things--believing in life and believing in good. And when I say 'good,' I might leave off one of those o's and just say 'God. I'm not pushing religion or anything--it's just believin'. Love scenes are the pits. You're sweating like a pig, asking for water. Baby oil is all over everything. I mean, does that sound romantic?

With every project I've ever done, I've always treated it like I'm still in school. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better. Women are important, and they have to be in the movies. So, what are you going to do? All we have to do is all hold our hands and stand up and say "No. And then women will rule the world. I never had to be a waitress. I never had to do a job that I really didn't wanna do. There were scenes they chickened out on. In Manhattan, for 14 years people called to anonymously apologise for something.

In The Apology Line , the series delves into the line, and the creator at the other end who was ultimately consumed by his own creation. Hosted by Marissa Bridge she was married to its creator , the six-episode series discusses empathy, deception and the content of thousands of calls. Each episode of Welcome to the OC, Bitches! By Olivia Marks. But when this inner monologue suddenly vanishes, Dark Voice Olivia Cooke takes its place, urging her to make rash decisions.

It tells the story of a caseworker at an experimental facility, played by a bewitching Catherine Keener, who helps soldiers return to civilian life. David Schwimmer voices her demanding supervisor and Oscar Isaac a troubled veteran, and through a collage of phone calls and therapy sessions we come to realise that things are not as they seem. The pair will reunite, reopen old wounds and consider the future of mankind which, due to the failure of this mission, appears to be doomed.

An Amazon Prime TV adaptation is currently in the works, too. Even if you have no interest in being in a kitchen at this particular moment, Samin Nosrat is a joy to listen to on Home Cooking , a podcast launched in response to the Covid lockdown. In between witty banter and pun-filled exchanges with her co-host, Hrishikesh Hirway, the Salt, Fat, Acid, Heat mastermind answers questions from listeners about transforming store cupboard staples into moreish dishes.

For her first-ever podcast, she sits down with fellow celebrated hosts and lifestyle obsessives to chat vintage interiors finds; up-and-coming travel destinations; and the best restaurants around the world. On the guest list for the first season? Hosted by chef and food writer Margie Nomura, instead of chatting about all things music-related, this series gets serious about one thing: food.

By Elizabeth Tyler. With a new episode dropping every Friday, this long-running and frequently hilarious podcast takes the form of a weekly phone call between long-distance best friends Ann Friedman and Aminatou Sow to chat about every conceivable element of culture today, from watching Love Is Blind to the abject terror of filing your taxes unaided. It also includes powerful interviews with the likes of Chanel Miller, the victim in the Brock Turner trial. Hosted by politically savvy American comedian Erin Ryan, it sees different female guests join her each week to discuss the most insane moments from the last seven days through a wonderfully feminist lens — tackling everything from the White House to sexism in rom-coms.

Set on Mars in the year , MarsCorp follows hilarious female protagonist E. Hob as she is sent to help terraform the red planet — only to find a dysfunctional society cut off from Earth that she must learn to live in if she is to complete her vital mission Perfect for anyone who loves dark British comedy. What would you do if your dad wrote a pornographic novel? This was the question Jamie Morton asked himself back in His answer: read it out loud with two friends and broadcast it for the world to hear.

The trillion-dollar wellness industry is the subject of this insightful, side-splitting podcast from comedians Kate Berlant and Jacqueline Novak. Each week, the two friends try new products, obsess over bizarre trends, consult healers and dissect our global fascination with self improvement. From snail mucin and hard kombucha to hypersomnia and astral projection, their meandering and unfiltered conversations cover almost everything, and are an utter delight to listen to.

London-based designer Irene Agbontaen has built her career around celebrating diversity in all its forms — both in fashion and society more broadly.

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