Essay On Drama Kid

Monday, November 1, 2021 6:35:02 PM

Essay On Drama Kid

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Cut for Time: Cast List - SNL

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The date when a paper should be delivered is indicated as "Final Submission". In the end, having my arm nearly torn off by people whose salary I pay led to me exploring loads of stage two work — loosening the necklace. It felt good, but what about stage three, the Promised Land? Producers all said they wanted to work with me, but they had nothing I could feasibly act in. The stories that needed to be told in the multicultural mids were about the all-white mids, it seemed. I heard rumours that the Promised Land was not in Britain at all, but in Hollywood. The reason for this is simple. America uses its stories to export a myth of itself, just like the UK. The reality of Britain is vibrant multiculturalism, but the myth we export is an all-white world of lords and ladies.

Conversely, American society is pretty segregated, but the myth it exports is of a racial melting-pot, everyone solving crimes and fighting aliens side by side. You see, the pitfalls of the audition room and the airport interrogation room are the same. They are places where the threat of rejection is real. I had so far managed to avoid this in the audition room, but now I faced the same threat at US airports. I spent the flight sweating in defiance of air-conditioning, wondering what would await me.

When I landed, the officer assessing me shared my skin colour. I wondered whether this was a good sign or if he was one of the legendarily patriotic Cuban border officers I had heard about, determined to assess how star-spangled I was with a thumb up the anus. I immediately thought it stood for Paki. I was led down a long corridor, without explanation, before turning into a side room that felt instantly familiar. Apart from a Chinese family and a South American pilot battling the indignity with his spotless uniform, the holding pen was filled with 20 slight variations of my own face, all staring at me — kind of like a Bollywood remake of Being John Malkovich. It was a reminder: you are a type, whose face says things before your mouth opens; you are a signifier before you are a person; you are back at stage one.

The holding pen also had that familiar audition room fear. Everyone is nervous, but the prospect of solidarity is undercut by competition. The fresh-faced desk officer was no older than By the time I was called up to audition for him, my spiel to explain the passport stamps was ready. But the kid questioning me seemed more nervous than I was. I was bounced up the chain for a proper interrogation by a dangerously fat man and his moustache.

I sat and waited, rehearsing my lines. When the interrogation came, it was more of a car crash than my Slumdog Millionaire audition. The question shot through me with a shudder. It reminded me of the questions I faced at Luton airport, but also of the question I ask myself all the time. Was I adding to the catalogue of stage one, two, or three? Was it a film my year-old self wanted? Would it make the necklace looser or tighter? I thought about the right way to answer him. Drama should do. There was a long silence. He raised an eyebrow. I offered up the DVD. It had a photo of me handcuffed in an orange jumpsuit on its cover.

I immediately regretted it. Longer silence. Second eyebrow goes up. He leaned in.

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