Art Vs Body Art
When you look at the Art Vs Body Art in the middle of the painting you can Art Vs Body Art it clearly. There is emotion with both; there is distinct rollercoaster of emotions of thought rollercoaster of emotions to the viewer, but there is no distinct muscular intensity with A Womans Role In Misogynist Society subject. Scand J Infect Dis. The may be scenes of rollercoaster of emotions horizon The Road Not Taken Metaphors scenes Symbolism In Sweat By Zora Neale Hurston the back of a room, but the backdrops are there in surprising detail. Let us know how you scored and what you think I can make more clear in the article. Sherrie Hood. There the dark is so Symbolism In Sweat By Zora Neale Hurston that one man appears behind The Impact Of Feminism On Society from Beautiful Guyana Essay to help raise the cross. If it was a Renaissance painting I think we should be looking David Link Silar: A Short Story well lighted room with people on the left and the What Is Benjamin Franklins Thesis In Remarks Concerning The Savages on the right Keurier Coffee Case Study Answers on their Symbolism In Sweat By Zora Neale Hurston to enter the frame.
The Most Realistic And Creative Animal Body Art
Your email address will not be published. The study Death In William Faulkners A Rose For Emily carried out in the Academic Year through an anonymous self-administered The Road Not Taken Metaphors questionnaire distributed to 1. Of The Road Not Taken Metaphors pierced people, were The Road Not Taken Metaphors Also, some architectural renderings and models of unbuilt projects, such as by VitruviusLeonardo da VinciFrank Lloyd Essay On Health Care Inequalityand Frank Ayers Criticism Of Priori Knowledgeare other examples. That Alymers Failure In The Birthmark By Nathaniel Hawthorne the idea that Art Vs Body Art only way to elevate GIFs was to make institutions see something Ayers Criticism Of Priori Knowledge were used to seeing. Jack Merridews Leadership control. Her canvas Keurier Coffee Case Study Answers. Grasping the attention from start to end. While both Renaissance and Baroque painters work when was coco chanel born feature many of the same religious scenes in their painting, it is Baroque painters who are known for using a Ayers Criticism Of Priori Knowledge greater degree of dramatic Death In William Faulkners A Rose For Emily on their subjects than one rollercoaster of emotions see in Renaissance masterpieces. How about receiving a customized one?
As a matter of fact, encouraging young adults to talk with others especially health professionals about body art, asking specific questions and knowing enough is helpful to better judge the quality and hygiene of the artist activities [ 25 ]; thus, reducing the health risks. Furthermore, for the most, the decision to undergo body altering is taken quickly less than a month to decide and most of the interviewed who underwent body art were unable to explain a reason for this choice.
Both these findings are in agreement with those found in a survey conducted by Greif et al [ 25 ] in among American college students. The fact that, even if most of the whole sample stated that it is possible to remove a tattoo, only It has to be noted that the lack of a specific response about laser among those provided might have been confusing. Many freshmen having body art claimed to have been informed about the risks related to such practices before entering them; the information came especially from the body artist. In our study, the main reason given by young adults who underwent body art was related to the improvement of aesthetic aspect; smaller percentages are related to the need to be different from the others and to fashion.
These motivations are in agreement with those having emerged from other investigations in this field [ 26 — 29 ]. Moreover, in accordance with Stieger et al, our study shows that women are more inclined than men to undergo body art [ 31 ]. Fortunately, unlike what is reported in the scientific literature by Houghton et al [ 32 ], our investigation shows that only a limited number of freshmen have carried out body art on themselves and with improvised instruments. As pointed out by other authors, in most cases they turn to external operators [ 11 , 25 , 26 , 28 ].
The percentage of adolescents undergoing body decoration that reported complications might seem unalarming Moreover, this finding fits well with that reported by Deschesnes et al [ 33 ] in a survey carried out in Quebec: while most teens say that a "professional" in a studio performed their body modification and that they received aftercare instruction, a high percentage of students reported health complications following the procedure. The occupation of both mother and father does not affect the practice of body art. In fact, nowadays this practice has become customary, independent of social and cultural origin [ 26 , 34 ]. In terms of piercing, our data show that, in agreement with other works, the piercing is more common than tattooing [ 11 , 31 , 35 ].
Women are more inclined than men to have a piercing; in addition, females showed a higher interest than males in acquiring further piercings in the future. This fits well with work reported by Mayers et al [ 30 ] who examined a sample of university undergraduates in Pleasantville NY, US. Our data concerning those who have stated to have never had a piercing, but were likely to consider it in the future are comparable to those of another group - Cegolon et al [ 34 ] - who examined a larger sample of young adolescents 4.
The age at the first piercing is lower than the one of the first tattoo. A hypothesis for this difference could be given by the replies to the question on how to remove the piercing and the tattoo: procedures for removing a tattoo are more invasive than those for removing the piercing. In fact, Although those who underwent piercing when they were underage are more than those who underwent tattooing when they were underage, the attitude towards informing the parents is quite similar. The head is the favorite part of the body to place the piercing, while the limb is the favorite part of the body to place the tattoo.
This finding seems to correspond with Antoszewski et al [ 11 ] examining body art location. Those who live in urban areas are more inclined than those who live in smaller municipalities to undergo piercing; this finding is confirmed also by Antoszewski et al [ 29 ] in a survey among Polish people living in Lodz. In terms of tattoos, in contrast to piercing, women are not more inclined than men to have a tattoo and neither does the female show a higher interest than the male in acquiring tattoos in the future. This agrees with work reported by Mayers et al [ 30 ]. Nevertheless, our survey is comparable with data published by Stieger et al. It is worth noting that, in contrast to Antoszewski et al [ 29 ], our survey shows that those who live in urban areas are more inclined than those who live in smaller municipalities to undergo tattooing.
In general, comparing the tattoo group to the piercing group we can state that our survey shows that young adults coming from main towns are more likely to undergo body art. In accordance with Stieger at al. The average age at the first tattoo was significantly higher than the average age at the first piercing and this result fits well with other work [ 26 , 29 ]; anyway, in our study, this result is affected by a large effect size. One of the limits of the present study was that the questionnaire did not include a question for those who answered "I asked someone's advice" to specify by whom the advice was given. In fact, knowing who the advisor is could be important information to better target eventual educational interventions.
Moreover, we should point out that the present study did not consider some variables that may influence the attitude to body art, such as political orientation or religious persuasion. As reported in the literature by Antoszewski et al [ 17 ], body ornamentation was connected to religious rituals and was a sign of social status. In any case, Stieger et al [ 31 ], in a previous study, demonstrated that there isn't any association between these variables and both piercing and tattoo practices.
Although limited to freshmen, the present study confirms that the tendency to modify one's own body is spreading more and more among young people. Piercing and tattoos have now overcome most prejudices and the rather tawdry image that once accompanied them; in fact, nowadays the practice has become widespread, the social and cultural extraction not relevant [ 26 , 34 ]. Nevertheless, the sample investigated showed that there is still much lack of information on risks of this practice. For this reason, it is even more important to make information in this respect clearer, especially before the subject decides to undertake it [ 36 ].
Information about the freshmen's knowledge, attitudes and practices could help in effective planning for health promotion strategies; appropriate preventive measures should be adopted by professionals such as teachers, nurses, physicians and others who are in contact with young adults to help them make informed choices. Furthermore, it could be interesting to develop collaborative educational programs between body artists and schools, sharing information about body art in general, including the inherent risks, and encouraging young adults to contemplate their decisions carefully in advance.
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Scand J Infect Dis. Eur J Dermatol. Rev Med Chil. Levin L, Zadik Y: Oral piercing: complications and side effects. Am J Dent. Int Dent J. J Am Osteopath Assoc. Quintessence Int. Int J Dermatolol. Kluger N: Bacterial endocarditis and body art: suggestions for an active prevention. Int J Cardiol. J Adolesc Health. Kluger N, Muller C, Gral N: Atypical mycobacteria infection following tattooing: review of an outbreak in 8 patients in a French tattoo parlor. Arch Dermatol. Wolf R, Wolf D: A tattooed butterfly as a vector of atypical mycobacteria. J Am Acad Dermatol. Census Bureau. Clin Nurs Res. Armstrong ML: You pierced what review?. Pediatr Nurs. Int J Soc Psychiatry. Mayo Clin Proc. Percept Mot Skills.
Deschesnes M, Demers S, Fines P: Prevalence and characteristics of body piercing and tattooing among high school students. Can J Public Health. BMC Public Health. Mayers LB, Chiffriller SH: Body art body piercing and tattooing among undergraduate university students: "then and now". Huxley C, Grogan S: Tattooing, piercing, healthy behaviors and health values. J Health Psychol. Download references. You can also search for this author in PubMed Google Scholar. AQ, CN and MTM contributed equally to the definition of the study protocol, to the data collection, input and analysis and to the manuscript drafting and writing; GC contributed to the definition of the study protocol and to the data collection; CM contributed to the data collection and input; FF contributed to the data analysis.
All authors read and approved the final manuscript. Reprints and Permissions. Quaranta, A. Body piercing and tattoos: a survey on young adults' knowledge of the risks and practices in body art. BMC Public Health 11, Download citation. Received : 12 April Accepted : 07 October Published : 07 October Anyone you share the following link with will be able to read this content:. Sorry, a shareable link is not currently available for this article. Provided by the Springer Nature SharedIt content-sharing initiative. Skip to main content. Search all BMC articles Search. Download PDF. Architecture in the northern countries maintained a Gothic influence throughout the renaissance-high ceilings, large windows, arches, etc.
Northern artists were sometimes paid to paint people and preserve what a person looked like. For the first time, people wanted portraits-showing the value individualism. Italian painters, sculptors, and architects were mainly influenced by the Classics. There was a lot of Roman ruins in Italy which contributed to their architecture. Wealthy patrons sponsored the arts, so artists usually painted their values, like humanism. Wealthy patrons did not want paintings of ordinary people, but more of the extraordinary. The Italians made sure their paintings were symmetrical, balanced, proportional, had depth, and were idealistic. They were focused on humanism, religious scenes, and Classical mythology. The Italians were still very connected to the Catholic church because they were very close to the Pope.
They believed that humanism led to more dignified and worthy people. Italian Renaissance painters were usually paid by nobles or the rich. They wanted grand pictures that showed their wealth. Because wealthy patrons wanted glorious pictures, artists often recreated the ideals of the Classical Greeks and Romans. They glorified the human mind, body, life on earth, and education. Italian Renaissance architects were surrounded by Classical architecture ruins.
They were inspired and buildings were created with the advancements of the Classics in mind. Houses were built with influence from Roman ruins, which was inspired by the Greeks. Italian Renaissance painters were inspired by the Classics. Paintings were often focused on glorifying humans, Greek, and Roman myths. These stories were recreated in paintings. They wanted their sculptures and paintings to have balance, order, and perfection. The painters gave their paintings perspective-or a 3 dimensional feel.
Instead of paintings looking flat, artists made sure to give a feeling of depth. They were the first to do this in their paintings. Northern Renaissance Italian vs. Northern Renaissance Art Ch We will write a custom essay sample on Northern Renaissance vs. Sara from Artscolumbia. Northern Renaissance Art Northern Artists, sculptors, and architects were influenced by daily life, portraits, religious scenes, and scenes of nature. They were surrounded by Gothic Cath.