The Last Seduction Ii

Thursday, April 7, 2022 12:21:20 PM

The Last Seduction Ii

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The Last Seduction (1994) ORIGINAL TRAILER [HD 1080p]

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The s saw a short-lived wave of erotic thrillers following the success of 's Basic Instinct. Sharon Stone would follow up her star-making performance in the latter with 's Sliver , while Madonna gave the genre a try with the poorly-received Body Of Evidence that same year. Following the underwhelming results of big-budget fare like Never Talk To Strangers or William Friedkin's Jade , the subgenre essentially died out. She played Bridget, a femme fatale who runs off with her sleazy husband's Bill Pullman, The Sinner profits from a drug deal, and later seduces another man into taking the fall for her crimes. While the movie wasn't a huge success, it received great reviews and is considered one of the best examples of modern-day noir.

The Last Seduction ended with Bridget having framed her lover Mike Peter Berg, Spenser Confidential with her husband's murder and flying off with her money. She suggests they start with Lance Collier, a cheating, wife-beating husband residing in Florida. This proves to be the last straw for Mike, and he leaves her alone in his place after an argument. Meanwhile, Clay's thumb is broken by the loan shark for not repaying his loan. Fearing for his health and in dire financial straits, he hires a private detective , Harlan, to retrieve the money from his wife.

Harlan traces her phone area code, travels to Beston, and accosts Bridget at gunpoint right after her argument with Mike. Bridget purposely crashes her car after tricking Harlan into removing his seat belt, resulting in his death. Because Harlan was black, she uses local racial prejudice to persuade the police to close the case without further investigation. Bridget then resumes her manipulation of Mike and pretends to travel to Florida to kill Lance Collier. Instead, she goes to Buffalo to meet Mike's ex-wife, Trish. Upon returning, Bridget shows Mike the money she stole from Clay, claiming it is her cut of the life insurance payout from the new widow.

Bridget claims to have done it so they can live together, then tries to persuade him that he must also commit a similar murder so they will be even and to prove that he loves her. She tries to talk Mike into killing a tax lawyer in New York City who is cheating old ladies out of their homes. At first he refuses, but later agrees after receiving a letter from Trish saying she is moving to Beston.

The letter was forged by Bridget to change his mind. Mike goes to New York and breaks into the apartment of the supposed attorney, who turns out to be Clay. After Mike hand cuffs Clay, Clay realizes what is happening when Mike mentions Bridget's alias, and convinces Mike of the truth by showing him a photo of himself and Bridget together. They then hatch a plot to double-cross her, unaware that the tables will be turned on them. Bridget arrives and the still-immobilized Clay, who has been clever enough to predict most of Bridget's actions but fails to understand her sociopathy , tries to make amends with her.

Instead, she empties a pepper spray bottle down his throat, killing him. She tells a stunned Mike to rape her. When he refuses, she tells him she knows the truth about Trish, who is transgender , and goads him by calling him a homophobic slur. This causes Mike to have rough sex with her while acting out a rape fantasy. Unbeknownst to Mike, Bridget has dialed and she coaxes him into "confessing" to Clay's murder as part of the role play. Mike is arrested for rape and murder, while she escapes with the cash, later calmly destroying the only evidence that could have been used in Mike's defense.

Screenwriter Steve Barancik said he believed the film was originally pitched as a "standard skin-e-max" low-budget movie to ITC Entertainment even though the filmmakers had "an under-the-radar intention to make a good movie". Barancik recalled, "Apparently, a guy from the company who was monitoring things and watching the dailies, saw the suspenders over Linda's nipples, and shouted out, 'Are we making an art movie?!

Roger Ebert gave the film four out of four stars, highlighting Fiorentino's ability to project her character with dry humor and a freedom from Hollywood conventions typically surrounding a female antagonist. In crime pictures and thrillers, the villains are almost always more interesting than the heroes, and there is a kind of unconscious sigh in the audience when a really intriguing villain is defeated. Harry Lime doesn't even appear in the first 80 minutes of " The Third Man ," and yet is more fascinating than anyone on the screen.

John Dahl 's "The Last Seduction" knows how much we enjoy seeing a character work boldly outside the rules. It gives us a diabolical, evil woman, and goes the distance with her. We keep waiting for the movie to lose its nerve, and it never does: This woman is bad from beginning to end, she never reforms, she never compromises, and the movie doesn't tack on one of those contrived conclusions where the morals squad comes in and tidies up. The woman is named Bridget Gregory, although she goes under other names as the plot develops. She is played by Linda Fiorentino , with a hard voice and cold eyes and a certain fearsome sexiness; she plays Bridget as the kind of woman who has the same effect on a man as a bucket of ice in the bathtub.

Her motivation is simple: She wants to get her hands on large amounts of money, and is willing to play any game with any man who will help her. Then he makes the big mistake of hitting her in the face. He knows it's a mistake: "Hey, you can hit me anywhere, hard. The plot takes her to a small town, where she meets a guy named Mike Peter Berg. He tries to pick her up in a bar. This is one of the more unwise moves in his life. She rejects him, then casually decides to toy with him, and eventually ends up recruiting him as an accessory to murder. He never quite catches on to the full depth of her deception. It would not be fair to "The Last Seduction" to say much more about the plot, which only gradually reveals itself even to Bridget she has a gift of improvising, moving from one crime to another as a jazzman might sample various melodic lines.

Like Billy Wilder's classic " Double Indemnity ," where Barbara Stanwyck mesmerized Fred MacMurray with his own lust, "The Last Seduction" is about the way even a smart guy gets dumb when he starts thinking tumescently. Who is this guy? He makes movies so smart and cynical that the American movie industry doesn't know how to handle him. I loved "Red Rock West" when I saw it in at the Toronto Film Festival, but distributors wouldn't touch it, and it went to cable and video without a theatrical release.

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